Cedars in Spring, 16.5" x 16" image size, 25" x 30" frame (vertical).
Original and Giclee prints are available.
MONOTYPE PRINTS
Using traditional printmaking techniques with her unique, modern purposes, Lori weaves her monotypes into breathtaking imagery. She achieves this by slicing and weaving images and strips of narrative into one another and layering papers and ink to develop subtle texture and complex patterns.
Lori’s interest in weaving and quilting as a social craft for women is the foundation for her style of working with cut pieces of paper. She further explored incorporating photo imagery into her work when she was employed as a photoshop expert at a small design firm upon graduating from college. The hours spent looking at images as pixellated fields of color greatly influenced her work. Many of her pieces are notably provocative because of their size and freeform shapes. Once woven, the usual size restrictions inherent in printmaking become obsolete.
Each piece starts as either a landscape or a portrait and has special meaning. The landscapes are about time and growth in nature. The portraits are about the complex structure of familial relationships and the impact of those relationships from generation to generation.
Vanishing Island, 16.5" x 16" image size, 25" x 30" frame (vertical).
Original is available.
MONOTYPE PRINTS
Using traditional printmaking techniques with her unique, modern purposes, Lori weaves her monotypes into breathtaking imagery. She achieves this by slicing and weaving images and strips of narrative into one another and layering papers and ink to develop subtle texture and complex patterns.
Lori’s interest in weaving and quilting as a social craft for women is the foundation for her style of working with cut pieces of paper. She further explored incorporating photo imagery into her work when she was employed as a photoshop expert at a small design firm upon graduating from college. The hours spent looking at images as pixellated fields of color greatly influenced her work. Many of her pieces are notably provocative because of their size and freeform shapes. Once woven, the usual size restrictions inherent in printmaking become obsolete.
Each piece starts as either a landscape or a portrait and has special meaning. The landscapes are about time and growth in nature. The portraits are about the complex structure of familial relationships and the impact of those relationships from generation to generation.
Cedar Point Squall, 16.5" x 16" image size, 25" x 30" frame (vertical)
Original is available.
MONOTYPE PRINTS
Using traditional printmaking techniques with her unique, modern purposes, Lori weaves her monotypes into breathtaking imagery. She achieves this by slicing and weaving images and strips of narrative into one another and layering papers and ink to develop subtle texture and complex patterns.
Lori’s interest in weaving and quilting as a social craft for women is the foundation for her style of working with cut pieces of paper. She further explored incorporating photo imagery into her work when she was employed as a photoshop expert at a small design firm upon graduating from college. The hours spent looking at images as pixellated fields of color greatly influenced her work. Many of her pieces are notably provocative because of their size and freeform shapes. Once woven, the usual size restrictions inherent in printmaking become obsolete.
Each piece starts as either a landscape or a portrait and has special meaning. The landscapes are about time and growth in nature. The portraits are about the complex structure of familial relationships and the impact of those relationships from generation to generation.
The Boathouse, 16.5" x 16" image size, 25" x 30" frame (vertical)
Original is available.
MONOTYPE PRINTS
Using traditional printmaking techniques with her unique, modern purposes, Lori weaves her monotypes into breathtaking imagery. She achieves this by slicing and weaving images and strips of narrative into one another and layering papers and ink to develop subtle texture and complex patterns.
Lori’s interest in weaving and quilting as a social craft for women is the foundation for her style of working with cut pieces of paper. She further explored incorporating photo imagery into her work when she was employed as a photoshop expert at a small design firm upon graduating from college. The hours spent looking at images as pixellated fields of color greatly influenced her work. Many of her pieces are notably provocative because of their size and freeform shapes. Once woven, the usual size restrictions inherent in printmaking become obsolete.
Each piece starts as either a landscape or a portrait and has special meaning. The landscapes are about time and growth in nature. The portraits are about the complex structure of familial relationships and the impact of those relationships from generation to generation.
Griswold Point, 16.5" x 16" image size, 25" x 30" frame (vertical), sold.
MONOTYPE PRINTS
Using traditional printmaking techniques with her unique, modern purposes, Lori weaves her monotypes into breathtaking imagery. She achieves this by slicing and weaving images and strips of narrative into one another and layering papers and ink to develop subtle texture and complex patterns.
Lori’s interest in weaving and quilting as a social craft for women is the foundation for her style of working with cut pieces of paper. She further explored incorporating photo imagery into her work when she was employed as a photoshop expert at a small design firm upon graduating from college. The hours spent looking at images as pixellated fields of color greatly influenced her work. Many of her pieces are notably provocative because of their size and freeform shapes. Once woven, the usual size restrictions inherent in printmaking become obsolete.
Each piece starts as either a landscape or a portrait and has special meaning. The landscapes are about time and growth in nature. The portraits are about the complex structure of familial relationships and the impact of those relationships from generation to generation.
Untitled, 16.5" x 16" image size, 25" x 30" frame (vertical), sold.
MONOTYPE PRINTS
Using traditional printmaking techniques with her unique, modern purposes, Lori weaves her monotypes into breathtaking imagery. She achieves this by slicing and weaving images and strips of narrative into one another and layering papers and ink to develop subtle texture and complex patterns.
Lori’s interest in weaving and quilting as a social craft for women is the foundation for her style of working with cut pieces of paper. She further explored incorporating photo imagery into her work when she was employed as a photoshop expert at a small design firm upon graduating from college. The hours spent looking at images as pixellated fields of color greatly influenced her work. Many of her pieces are notably provocative because of their size and freeform shapes. Once woven, the usual size restrictions inherent in printmaking become obsolete.
Each piece starts as either a landscape or a portrait and has special meaning. The landscapes are about time and growth in nature. The portraits are about the complex structure of familial relationships and the impact of those relationships from generation to generation.
Secret Sound, monotype on panel. 30" x 30", $3150
This piece was created in series with a twelve piece commission for Yale Smilow Cancer Center, New Haven, CT.
MONOTYPE PRINTS
Using traditional printmaking techniques with her unique, modern purposes, Lori weaves her monotypes into breathtaking imagery. She achieves this by slicing and weaving images and strips of narrative into one another and layering papers and ink to develop subtle texture and complex patterns.
Lori’s interest in weaving and quilting as a social craft for women is the foundation for her style of working with cut pieces of paper. She further explored incorporating photo imagery into her work when she was employed as a photoshop expert at a small design firm upon graduating from college. The hours spent looking at images as pixellated fields of color greatly influenced her work. Many of her pieces are notably provocative because of their size and freeform shapes. Once woven, the usual size restrictions inherent in printmaking become obsolete.
Each piece starts as either a landscape or a portrait and has special meaning. The landscapes are about time and growth in nature. The portraits are about the complex structure of familial relationships and the impact of those relationships from generation to generation.
Cradle, 16.5" x 16" image size, 25" x 30" frame (vertical), sold.
MONOTYPE PRINTS
Using traditional printmaking techniques with her unique, modern purposes, Lori weaves her monotypes into breathtaking imagery. She achieves this by slicing and weaving images and strips of narrative into one another and layering papers and ink to develop subtle texture and complex patterns.
Lori’s interest in weaving and quilting as a social craft for women is the foundation for her style of working with cut pieces of paper. She further explored incorporating photo imagery into her work when she was employed as a photoshop expert at a small design firm upon graduating from college. The hours spent looking at images as pixellated fields of color greatly influenced her work. Many of her pieces are notably provocative because of their size and freeform shapes. Once woven, the usual size restrictions inherent in printmaking become obsolete.
Each piece starts as either a landscape or a portrait and has special meaning. The landscapes are about time and growth in nature. The portraits are about the complex structure of familial relationships and the impact of those relationships from generation to generation.
Chester History: Ferry to Hadlyme, 16.5" x 16" image size, 25" x 30" frame (vertical).
Limitd edition Giclee prints are available, $550 unframed.
MONOTYPE PRINTS
Using traditional printmaking techniques with her unique, modern purposes, Lori weaves her monotypes into breathtaking imagery. She achieves this by slicing and weaving images and strips of narrative into one another and layering papers and ink to develop subtle texture and complex patterns.
Lori’s interest in weaving and quilting as a social craft for women is the foundation for her style of working with cut pieces of paper. She further explored incorporating photo imagery into her work when she was employed as a photoshop expert at a small design firm upon graduating from college. The hours spent looking at images as pixellated fields of color greatly influenced her work. Many of her pieces are notably provocative because of their size and freeform shapes. Once woven, the usual size restrictions inherent in printmaking become obsolete.
Each piece starts as either a landscape or a portrait and has special meaning. The landscapes are about time and growth in nature. The portraits are about the complex structure of familial relationships and the impact of those relationships from generation to generation.